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The “FischLips" was developed by Carl and Gary Radtke during a run with the Diana Ross tour. Allows for a little edge when playing lead in a section with the ability to also step out and blow some jazz with a big sound. The FischLips is great for those who like the Signature Z, but want a more full sound with great playing ease. It is also a perfect blend of the existing Signature Jazz and Signature Z mouthpieces and is what we would recommend for someone who is having difficulty deciding between models. It still has a big sound and has the capability of filling stadiums and arenas. * Due to high demand, please allow 6-8 weeks for delivery unless otherwise notified. ** Gold plating denotes a special order item and could increase delivery time based on manufacturer **
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The CF Jazz Rockstar II has a flat-wide rim with a soft bite that feels a little smaller and easier to play than the CF Signature Jazz. This mouthpiece was developed by Carl Fischer and Gary Radtke of GR Mouthpieces during a stint with Blood Sweat and Tears & Carl is currently using this mouthpiece on the Billy Joel tour. It is perfect for use in this type of Jazz-Rock setting. You can get edge on the sound when playing lead in a section, and then you can step out and blow some jazz with a huge sound. * Due to high demand, please allow 6-8 weeks for delivery unless otherwise notified. ** Gold plating denotes a special order item and could increase delivery time based on manufacturer **
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The Signature Z has a flat wide rim and high alpha angle. This combination gives comfort with the feel that the cup volume is actually larger in diameter than it really is. The cup volume and throat opening are designed for high compression and maximum projection and fullness of sound. * Due to high demand, please allow 6-8 weeks for delivery unless otherwise notified. ** Gold plating denotes a special order item and could increase delivery time based on manufacturer **
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What a Wonderful World - Extended Play (Digital Download)
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The Signature Jazz is the very first design (Design that Started it all) completed in the collaborations between Carl Fischer and Gary Radtke of GR Mouthpieces. It has a flat rim with a soft bite and high alpha angle. This combination gives comfort with the feel of a slightly larger cup volume. This gives the ability to be flexible with the sound and color while keeping an even sound throughout the horn. * Due to high demand, please allow 6-8 weeks for delivery unless otherwise notified. ** Gold plating denotes a special order item and could increase delivery time based on manufacturer **
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The CF DWB Flugelhorn mouthpiece has a flat wide rim with a soft bite. This mouthpiece has a slightly less drastic alpha angle than the other mouthpieces in the line. The cup is a V cup that derived from a french horn mouthpiece to optimize the biggest, darkest, thickest true flugelhorn sound. The rim is consistent with all of the other mouthpieces in the CF Signature Series line. * Due to high demand, please allow 6-8 weeks for delivery unless otherwise notified. ** Gold plating denotes a special order item and could increase delivery time based on manufacturer **
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Organic Groove Ensemble & Adverse Times (Digital Download)
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A package of 3 separate 60 minute lessons over Zoom with Carl Fischer (Scheduled in coordination with Carl's tour schedule) *When purchased, a member of Carl's team will contact you within 24 hours to begin the process of scheduling your lesson(s).
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One 60-minute lesson over Zoom with Carl Fischer (Scheduled in coordination with Carl's tour schedule) *When purchased, a member of Carl's team will contact you within 24 hours to begin the process of scheduling your lesson(s).
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This medium bore (.455”) trumpet features a modified medium-style leadpipe and a lightweight, 5 1/4 inch, yellow brass bell with a large flare.. The revolutionary Warburton slot receiver paired with an ovate tuning slide gives the horn a more open feel than most smaller bore horns, allowing the player to have something to blow against without feeling like the horn is backing up. These carefully designed reflection points paired with a lightweight ferrule, the over-sized lightweight bell, and the absence of a waterkey on the third-valve slide create the big sound, response, and feedback that is desired by high-intensity players like Carl.
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This medium bore (.455”) trumpet features a modified medium-style leadpipe and a lightweight, 5 1/4 inch, yellow brass bell with a large flare.. The revolutionary Warburton slot receiver paired with an ovate tuning slide gives the horn a more open feel than most smaller bore horns, allowing the player to have something to blow against without feeling like the horn is backing up. These carefully designed reflection points paired with a lightweight ferrule, the over-sized lightweight bell, and the absence of a waterkey on the third-valve slide create the big sound, response, and feedback that is desired by high-intensity players like Carl.
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This medium bore (.455”) trumpet features a modified medium-style leadpipe and a lightweight, 5 1/4 inch, yellow brass bell with a large flare.. The revolutionary Warburton slot receiver paired with an ovate tuning slide gives the horn a more open feel than most smaller bore horns, allowing the player to have something to blow against without feeling like the horn is backing up. These carefully designed reflection points paired with a lightweight ferrule, the over-sized lightweight bell, and the absence of a waterkey on the third-valve slide create the big sound, response, and feedback that is desired by high-intensity players like Carl.
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This medium bore (.455”) trumpet features a modified medium-style leadpipe and a lightweight, 5 1/4 inch, yellow brass bell with a large flare.. The revolutionary Warburton slot receiver paired with an ovate tuning slide gives the horn a more open feel than most smaller bore horns, allowing the player to have something to blow against without feeling like the horn is backing up. These carefully designed reflection points paired with a lightweight ferrule, the over-sized lightweight bell, and the absence of a waterkey on the third-valve slide create the big sound, response, and feedback that is desired by high-intensity players like Carl.